Art

Hanging on the narrowing wall,

a Sicilian panorama drifts in browns-

vines clamber up an adobe mission;

clay pots in plenty a sign of bounty.

 

A solitary woman in mute blue and red carries one of them

along the foreground.

There’s no one else in the scene,

since the men are inside watching the game.

 

I think if she doesn’t hurry,

the vines will crack the ground beneath her feet,

and ensconce her as well;

earthenware

lifted to God under the bronzing sun for eternity.

Amoureux regardant l’île

Chateau Margaux

1947

slithers down the stem,

from the bowl,

left on the rim

by your lips;

red-satin

below your brown-swirl eyes,

mirroring constellations

above quai de la Tournelle

and the Seine

in silken ebony.

Lights! Spread before us

like so many gems

inside a store we would not

be allowed…

The glow mixes with

steam,

smoke,

coffee vapours,

sprigs of rosemary,

candle wax.

The night so pure,

yet with not enough air for words;

and the silence is broken by a cloud-drop

making your cigarette

hiss in its long filter.

Let us retire to our homes;

for have you kissed someone in the rain?

No?

Nor I.

a–b, or, post hoc ergo propter hoc

Two ordinary humans, set on a sidewalk, will
inevitably stand, and walk simply
of their own accord
to the next relevant business.

The same humans, when
approaching one to the other, falter softly,
precariously, as if on a ridge or trip-wire,
trying to shift about in a strange tap
of strangers bound by a curved ribbon.

And if curved, then on one
parabolic
continuous loop,
not unlike the quantifiable outcomes
of a Mobius strip.

Causality would seem to be
the perpetual function
more of the effect
than the cause.